Porno>to>art
by David
K. (published in
www.nightcharm.com, april 2001)
A
few years ago, U.S. Supreme Court Justice Potter Stewart
memorably commented that although he could not define
hardcore porn, "I know it when I see it." Godamnit!
(Expletive added by your reviewer.)
So,
I wonder how the judge would feel after browsing the necromantic
rearrangements of artist Daniel J. Skråmestø
and his beguiling website Porno-to-Art. A Net gallery
that transforms your garden variety queer beefcake (as
well as the occasional hardcore fucking or sucking) pics
into -- well: A-R-T. (Or as my friends in Boston call
it: "ahht").
Why
do we demarcate porn from art? And who in the hell does
the demarcating? Is porn strictly a medium for masturbation?
While art remains -- what? High culture, academic and
everything that excludes in-your-face sexual imagery?
Questions, questions, questions! Where's Jesse Helms when
you need him? I'm partial to the take-no-prisoners approach
of sociologist and historian Camille Paglia. In her masterwork
Sexual
Personae she argues the case for reuniting porn
and art; or rather, she shows us why the two have never
been a dichotomy.
She
writes: "Pornography is pure pagan imagism. Just
as a poem is ritually limited verbal expression, so is
pornography ritually limited visual expression of the
daemonism of sex and nature. Every shot, every angle in
pornography, no matter how silly, twisted or pasty, is
yet another attempt to get the whole picture of the enormity
of chthonian nature. Is pornography art? Yes. Art is contemplation
and conceptualization, the ritual exhibitionism of primal
mysteries."
Wow!
That's quite a salvo. To simplify what she's talking about,
let's just say that sex is a big unnerving mystery and
porn/art -- with its pictures and written metaphors --
allows us to sit back and observe, via the safety of our
intellect, what normally compels us too strongly and overwhelms
us. I like how Paglia utters "sex" and "nature"
within one breath -- to me the two are inextricably
intertwined. We see this demonstrated every time the earth
quakes (or a guy pops a boner). Both events are beyond
anyone's control.
I'm
impacted by Daniel Skråmestø's metamorphic
shapes and fleshy textures because he creates a (seemingly)
safe portal for us to peer into the center of our sexuality
(which is what each of us does, every time we scan a porn
pic -- just as Paglia describes it: the intention to see
more, and to see deeper). I say seemingly
safe because Barradas's pictures -- with all of their
creamy liquidness -- are also showing us (men in particular)
our inextricable connection -- via our bodies -- to the
feminine (for which we have our mothers to thank).
This
insight might have a dual effect (always a disturbing
occurrence, because it challenges our habit of coding
or labeling) for many gay men -- simply because the clearly
demarcated (and exaggerated) world of the masculine in
99% of the photographs that most homosexual men respond
and masturbate to -- isn't so clearly defined within Barradas's
work. Knowingly or not, he offers us an alternative, paradoxical
view of our sexuality -- and to me this is a requisite
of really good art. If it beguiles, challenges
and surprises me, well, I'm moved and indebted to the
artist. A link or connection has been made -- a transmission
received.
I'd
venture to say that Skråmestø's undulating,
Dionysian images transmit from a kind of middleground,
a place that brings the best of both worlds together,
but frames the nexus within a homosexual sensibility.
If
porn is a kind visual/intellectual prelude to sex, Skråmestø's
Photoshop retoolings go one step further and mimic and
evoke the magical, corporeal and spiritual ground
of the sex act itself. Who hasn't experienced,
while receiving an expert blow job, that otherworldly
sensation that his dick is four feet long, on fire and
shooting a jizz load straight into the heart of the universe?
You say you're having a hard time conjuring such a memory?
Well, not to worry, Skråmestø, no doubt,
has an image just for you within his oeuvre.
He'll
take you there.
--David
K |